I was the little girl who always wanted to be at church, who felt compelled to tell people about the goodness of God, but because my religious communities did not allow women to be church leaders, I never imagined this was a path I could pursue. As an undergraduate, I was captured by the academic study of the Bible and could not imagine doing anything else with my life. Now, for the past 20+ years, I have been teaching the Bible in academic and ecclesial settings and have become one of many good scholars who are making a case that the Christian God fully values men and women.
No other book has helped me understand the categories of sex and gender and given me the language to define them. Even more important, that clarity has given me the confidence to affirm the goodness of different created bodies and allow the beautiful variety in which those bodies serve God’s kingdom.
In recent years, the issue of gender has become a topic of great importance and has generated discussion from the kitchen table to the academy. It is an issue that churches and Christian educational institutions are grappling with as well, since gender is a crucial aspect of identity, affecting how we engage socially and understand our embodiment. Upstream from all these conversations lies a more basic question: What is gender?
In Gender as Love, Fellipe do Vale takes a theological approach to understanding gender, employing both biblical exegesis and historical theology and emphasizing the role human love plays in shaping…
No other exegesis has been as formative for my reading of Mary as Gaventa’s.
Because I was privileged to sit in her classroom and hear her teach about some of these passages, I began to realize how exciting it is to pay attention to the story of Mary in the New Testament. Each time I read her clarity and insights, I am inspired.
In this lucid account of Jesus' mother, Gaventa emphasizes a literary approach, addressing in turn: Matthew, Luke-Acts, John, and the second-century work, Protevangelium of James. In a style accessible to students and general readers, the author also provides scholars with much to ponder.
Fathers, sons, brothers, kings. Does the predominantly masculine symbolism of the Biblical writings exclude women or overlook the riches of their spiritual life? If Christ is 'the second Adam' and the one on whom all Christian life must be patterned, then what about Eve? This book from a leading scholar of religious language and feminism opens up the Bible's imagery for sex, gender, and kinship and does so by discussing its place in the central teachings of Christian theology: the doctrine of God and spirituality, Imago Dei and anthropology, Creation, Christology and the Cross, the Trinity, and eschatology.
This magisterial book opened my eyes to the connections between desire and God. It also showed me that experience matters for Christian theology; it is, after all, a faith that values human reality.
From the first time I read it until now, Coakley remains one of my theological heroes.
God, Sexuality and the Self is a new venture in systematic theology. Sarah Coakley invites the reader to re-conceive the relation of sexual desire and the desire for God and - through the lens of prayer practice - to chart the intrinsic connection of this relation to a theology of the Trinity. The goal is to integrate the demanding ascetical undertaking of prayer with the recovery of lost and neglected materials from the tradition and thus to reanimate doctrinal reflection both imaginatively and spiritually. What emerges is a vision of human longing for the triune God which is both edgy…
As an Orthodox theologian, Behr-Sigel’s theological take was different enough from mine to keep me intrigued. That made her love of Mary, which I shared, even more powerful.
In her writing, I saw ideas I had felt were true but had not yet been able to put into words. Moreover, her collected writings demonstrate the ability to change one’s mind over time, giving me the encouragement that others could do the same.
'With great joy, I recommend this book to all serious readers, to those who are ready to put aside their prejudices. May it be the first swallow that announces the coming of spring'-Metropolitan Anthony of Sourozh (England). This book, by a leading theolgian, is a serious reexamination of the role of women in the Church. For Orthodox and Roman Catholics, especially, the question of women's ordination must be asked 'from the inside' and not only 'from the outside'. This book does not suggest final answers, but raises issues and defines their relative importance.
Is God a man? Christians say “no.” God is Creator—not creation—so cannot be sexed. On the other hand, Jesus is male, and Christians affirm that Jesus is God.
My book dives into these complicated waters, wrestling with Christian traditions to affirm Jesus’ maleness but deny that God as God is male or masculine. Unsurprisingly, the best way to speak and think of God correctly is to pay attention to the incarnation, when God became human. God decided to become human by being born of a woman. Mary demonstrates both the honor God bestows upon women’s bodies and also the fact that women are not limited to motherhood but empowered by the same Spirit to prophesy, teach, and proclaim.
An enthralling portrait of the Bloomsbury Group’s key figures told through a rich collection of intimate photographs. Photography framed the world of the Bloomsbury Group. The thousands of photographs surviving in albums kept by Virginia Woolf, Vanessa Bell, Dora Carrington, and Lytton Strachey, among others, today offer us a private insight into their lives.
Maggie Humm brings together a curated selection of these photographs to offer us a fresh portrait of the Bloomsbury Group, showing them in a new, domestic intimacy. She brings to life the texture of Bloomsbury: their pastimes, children, clothes, houses, servants, pets, and holidays.
An enthralling portrait of the Bloomsbury Group's key figures told through a rich collection of intimate photographs
Photography framed the world of the Bloomsbury Group. The thousands of photographs surviving in albums kept by Virginia Woolf, Vanessa Bell, Dora Carrington, and Lytton Strachey, among others, today offer us a private insight into their lives.
Maggie Humm brings together a curated selection of these photographs to offer us a fresh portrait of the Bloomsbury Group, showing them in a new, domestic intimacy. She brings to life the texture of Bloomsbury: their pastimes, children, clothes, houses, servants, pets, holidays. Several photographs are…
